Monday, January 14, 2019

Won't You Be My Neighbor - 10 stars out of 10

Won't You Be My Neighbor - 10 stars out of 10

"Won’t You Be My Neighbor” is the feel-good tribute that Fred Rogers deserves.  This documentary comes at a time when our society needs it the most.  On the surface, it tells the story of an aspiring Presbyterian minister who became a beloved children’s television host but deep down, this is an exploration of the ideals that can get our society back on track.  We are a world searching for answers but Mr. Rogers has been giving us the keys to a better world all along: Love and accept everyone, put education first, and teach morality to our children.  Documentarians often choose a subject matter and put their own flashy spin on it.  Often times, the subject is less important than the way that it is told.  This is not the case for Morgan Neville, who steps to the side and allows this story to speak for itself.  The film captures the selflessness of Fred Rogers, whose main motivation for getting into television was to fix the way that children’s programming addresses its audience.  He decided that children need someone to remind them that they are special and that they need to treat others with respect.  It’s as if he predicted our modern downfall of family life where children learn their morality from the media instead of their parents.  “Mr. Rogers’ Neighborhood” doesn’t seem too innovative because we are so familiar with it but it’s amazing to see how he created this concept from nothing.  His songs, puppeteering, and Neighborhood of Make-Believe reached kids in a way that they’d never been reached.  He slowed down the action and allowed kids to think as they learned.  His role eventually grew beyond the show as he became a paternal figure that everybody looked to during national tragedies.  He helped children to understand divorce, segregation, and even the assassination of Bobby Kennedy.  One of his most famous moments came when he testified in a Senate hearing to secure funding for PBS, which Neville plays in its entirety and will likely have you in tears.  The format of the episodes is quite smart as he would introduce a major theme in his home and then further explore that theme through the Make-Believe characters.  Rogers’ life becomes three-dimensional through interviews with his family and friends including his wife Joanne, sons John and Jim, Mr. McFeely, Officer Clement, Yo-Yo Ma, and musician Joe Negri.  It has some more intimate moments like a discussion of how Rogers was homebound during middle school due to illness and bullying for his weight, and how this forced him to use his imagination with his toys.  Also, archival footage of Fred explaining that he has an easier time telling people that he cares while acting Daniel Tiger.  Fittingly, the documentary is woven together with animations of Daniel Tiger representing Rogers.  I found it very interesting to hear Fred’s family express that Fred originally saw himself as Daniel but became more like King Friday XIII as he grew frustrated with society.  I could have done without the segment about people speculating whether Rogers was gay and whether he ruined a generation by telling children that they are special.  I appreciate that this was included to set the record straight about who Rogers truly was but it felt out of place in this heartwarming tribute about our beloved mentor.  Mr. Rogers touched the majority of our lives in one way or another and it’s hard to believe that a documentary could help us to have a deeper appreciation for who he was and everything that he did for children.  “Won’t You Be My Neighbor” is a must-see this awards season and will gain the recognition that it deserves with an Oscar win for Best Documentary.  It has my vote!


[Pictured: Mr. Rogers broke down racial barriers with this subtle segment on his show]

Sunday, January 13, 2019

Isle of Dogs - 9 stars out of 10

Isle of Dogs - 9 stars out of 10

"Isle of Dogs” may be the most Wes Anderson film that Wes Anderson has ever created.  Whether you love his work or hate it, you have to admit that this heavily stylized film is unlike anything that you’ve ever seen.  So many films lack a stylistic identity but an Anderson film can be identified from any 15 seconds of footage.  His head-on shots give the film a personal feel, as if the characters are speaking directly to us.  Their dialogue is equally colloquial as the characters set aside formality and speak their minds.  Alexandre Desplat matches Anderson’s style with a whimsical score.  I love the incorporation of Prokofiev’s “Troika” into the musical landscape.  The score is crucial to blending the edgy story with the stop-motion medium.  The PG-13 rating reflects some mild profanity and violence, hopefully deterring parents from thinking that this is a family film.  As per usual, Anderson assembled an ensemble cast to bring these characters to life.  The impressive list includes Bryan Cranston, Ed Norton, Liev Schreiber, Bill Murray, Jeff Goldblum, Frances McDormand, Bob Balaban, and even Yoko Ono as herself.  The diversity of vocal tones helps to inject personality into each dog.  There has been a debate on whether this film is racial stereotyping or a tribute to Asian culture.  I agree with the latter and believe that the setting is perfect for this story and any less inclusion of Asian culture would have been an injustice.  “Isle of Dogs” is another fun, quirky addition to the film repertoire from Wes Anderson.  Don’t let the stop-motion medium fool you - this film has all of the sophistication of an art house film.

[Pictured: Wes Anderson's signature style is evident in every frame of this film]