Wow. This movie was awful. It moved incredibly slow, the story didn't really go anywhere, and the acting was terrible. You'd think that if they wanted to make a great movie, they could've made the wolf look a little better... and why does he need to be able to speak to Red Riding Hood. The incorporation of some characters didn't q...uite fit and the music really did not fit the time period (or the mood of the scenes, for that matter). I suppose that the producers win because their awesome-looking preview got me to the theatre to pay admission for their movie. Unfortunatley, they will never make any money off of me by purchasing this unimpressive drivel. I don't recommend taking the time to watch this film that resembles the fairy tale only in name while showing a fake-looking big bad wolf instead of hiding him to build anticipation.
Saturday, April 23, 2011
Friday, April 22, 2011
Hereafter - 3 stars out of 10
Hereafter - 3 stars out of 10
I typically love Eastwood’s films. Masterpieces like Gran Torino, Million Dollar Baby, and Changeling have made him into one of my favorite directors; unfortunately, this film dragged on without much excitement and it just was not what I had expected. The opening sequence is particularly poignant after the recent tragedy in Japan. There are some beautiful emotional moments in this film, including Bryce Dallas Howard’s short breakdown in the stairwell and a great dialogue between Cécile De France and Neuvic in the restaurant. I enjoyed the film more once the three stories successfully aligned but that did not make up for the first 100 minutes of footage. The acting was decent but this film is a case of too much drama without substance.
Thursday, April 21, 2011
The Man Who Knew Too Much (1956) - 10 stars out of 10
The Man Who Knew Too Much (1956) - 10 stars out of 10
One of Hitchcock's finest thrillers! This film really speaks to me, particularly through the importance of music in the storyline from the cymbal crash to Doris Day's emotive rendition of Que Sera Sera. Day looks and sounds gorgeous throughout the film and Jimmy Stewart again proves to be the perfect fit for a Hitchcockian role. This movie does not rely on twists as much as a hopeless situation with an unpredictable resolution until the very end! Hitchcock's sparse comedic moments are strategically placed to give momentary relief from the constantly building tension. The combination of Day's heartfelt performance and Stewart's intense eyes will leave you breathless.
P.S. Hitchcock was a genius in giving his favorite movie composer a great and substantial cameo!
One of Hitchcock's finest thrillers! This film really speaks to me, particularly through the importance of music in the storyline from the cymbal crash to Doris Day's emotive rendition of Que Sera Sera. Day looks and sounds gorgeous throughout the film and Jimmy Stewart again proves to be the perfect fit for a Hitchcockian role. This movie does not rely on twists as much as a hopeless situation with an unpredictable resolution until the very end! Hitchcock's sparse comedic moments are strategically placed to give momentary relief from the constantly building tension. The combination of Day's heartfelt performance and Stewart's intense eyes will leave you breathless.
P.S. Hitchcock was a genius in giving his favorite movie composer a great and substantial cameo!
Wednesday, April 20, 2011
The Other Guys - 9 stars out of 10
The Other Guys - 9 stars out of 10
After a string of annoying (and unentertaining) roles, Will Ferrell is back in one of his funniest roles to date! He is perfectly matched with Wahlberg, who steps out of his typical persona in this film. The film is cleverly written, particularly for a Ferrell film, as a few interesting twists are mixed with slapstick and ironic humor. Eva Mendes has never looked better and I couldn't get enough of Keaton's TLC references - I lost it by the time that "Creep Creep" rolled around. I highly recommend this to any fan of Will Ferrell as The Other Guys offers hilarious unexpected moments (The Rock and Jackson) and clever comedic dialogue.
After a string of annoying (and unentertaining) roles, Will Ferrell is back in one of his funniest roles to date! He is perfectly matched with Wahlberg, who steps out of his typical persona in this film. The film is cleverly written, particularly for a Ferrell film, as a few interesting twists are mixed with slapstick and ironic humor. Eva Mendes has never looked better and I couldn't get enough of Keaton's TLC references - I lost it by the time that "Creep Creep" rolled around. I highly recommend this to any fan of Will Ferrell as The Other Guys offers hilarious unexpected moments (The Rock and Jackson) and clever comedic dialogue.
Tuesday, April 19, 2011
Secretariat - 9 stars out of 10
Secretariat - 9 stars out of 10
How could anybody walk out of this film without being a Big Red fan? "Secretariat" offers incredible acting, an inspirational story, and is clean-cut all the way through. Unfortunately, based on the reactions of the children surrounding me in the theater, there is not enough horse racing to hold the interest of kids. This film is clean enough to be a family film but focuses more on the drama behind keeping the horse/stress on the family than it does on the horse's career. Perhaps this is the reason that it is rated PG, despite being clean enough to be G. "Secretariat" sports dramatic acting fit for any critic or movie buff. This is Diane Lane's finest performance (I'd compare it to Sandra Bullock in The Blindside, though nothing can match that). John Malkovich definitely steps out of character and shows versatility with his portrayal of Lucien, and where in the world did Margo Martindale come from (aside from her shining moment in Million Dollar Baby)!?!?!? She was delightful. Round out the cast with Ellis, Walsh, and James Cromwell, and you know that you have a winner. This film is as much of a triumph as the records that Secretariat shattered.
How could anybody walk out of this film without being a Big Red fan? "Secretariat" offers incredible acting, an inspirational story, and is clean-cut all the way through. Unfortunately, based on the reactions of the children surrounding me in the theater, there is not enough horse racing to hold the interest of kids. This film is clean enough to be a family film but focuses more on the drama behind keeping the horse/stress on the family than it does on the horse's career. Perhaps this is the reason that it is rated PG, despite being clean enough to be G. "Secretariat" sports dramatic acting fit for any critic or movie buff. This is Diane Lane's finest performance (I'd compare it to Sandra Bullock in The Blindside, though nothing can match that). John Malkovich definitely steps out of character and shows versatility with his portrayal of Lucien, and where in the world did Margo Martindale come from (aside from her shining moment in Million Dollar Baby)!?!?!? She was delightful. Round out the cast with Ellis, Walsh, and James Cromwell, and you know that you have a winner. This film is as much of a triumph as the records that Secretariat shattered.
Monday, April 18, 2011
RED - 10 stars out of 10
RED - 10 stars out of 10
Best. Action. Comedy. Ever. RED is everything that movies like "Knight and Day" aspire to be. It starts with one superstar as Bruce Willis lights up the screen. Then Morgan Freeman is added to the equation. They are followed by John Malkovich (who is hysterical) and Helen Mirren. Throw in incredible cameos by Brian Cox and Richard Dreyfuss, a kick-butt performance by Karl Urban, and Mary-Louise Parker in a geeky (but enchanting) role, and you have one of the most entertaining casts ever assembled. Aside from the amazing acting, RED seamlessly transitions between laugh-out-loud funny moments and adrenaline-pumping action sequences. The plot is clever, its one liners are perfectly timed, and there are even some hilarious visual gags without turning this into a cheesy comedy [cough cough Knight and Day]. I will typically see any movie simply because Morgan Freeman is in it, but RED offers much more than that. You MUST see this movie. That is not an option. Go see it right now.
Best. Action. Comedy. Ever. RED is everything that movies like "Knight and Day" aspire to be. It starts with one superstar as Bruce Willis lights up the screen. Then Morgan Freeman is added to the equation. They are followed by John Malkovich (who is hysterical) and Helen Mirren. Throw in incredible cameos by Brian Cox and Richard Dreyfuss, a kick-butt performance by Karl Urban, and Mary-Louise Parker in a geeky (but enchanting) role, and you have one of the most entertaining casts ever assembled. Aside from the amazing acting, RED seamlessly transitions between laugh-out-loud funny moments and adrenaline-pumping action sequences. The plot is clever, its one liners are perfectly timed, and there are even some hilarious visual gags without turning this into a cheesy comedy [cough cough Knight and Day]. I will typically see any movie simply because Morgan Freeman is in it, but RED offers much more than that. You MUST see this movie. That is not an option. Go see it right now.
The Last King of Scotland - 8 stars out of 10
The Last King of Scotland - 8 stars out of 10
100th Review
An amazing performance by Forest Whitaker, not only because of his believable representation of a character who is at first loveable and then detestible, but also because this is a complete departure from his typically mild-mannered roles. This movie will twist you through two totally different perspectives of the rising president and will surely make you cringe during its graphic finale!
100th Review
An amazing performance by Forest Whitaker, not only because of his believable representation of a character who is at first loveable and then detestible, but also because this is a complete departure from his typically mild-mannered roles. This movie will twist you through two totally different perspectives of the rising president and will surely make you cringe during its graphic finale!
Notes on a Scandal - 5 stars out of 10
Notes on a Scandal - 5 stars out of 10
I can't say that I enjoyed the content of the film, but I must testify to the expert acting of Dame Judy Dench and her deserved Academy Award nomination. Dench steps down from her typical regal role to play a lonely, hard-nosed teacher. Her narration is perfection with her soothing yet striking voice. I could not understand Blanchett's Oscar nod, aside from her freak-out toward the end. In reflection, I don't know what was creepier - Blanchett's affair with a teenager or Dench's obsessive friendship. I don't really recommend this film since the content is slightly disturbing but I do have to credit Dench with a stellar performance.
I can't say that I enjoyed the content of the film, but I must testify to the expert acting of Dame Judy Dench and her deserved Academy Award nomination. Dench steps down from her typical regal role to play a lonely, hard-nosed teacher. Her narration is perfection with her soothing yet striking voice. I could not understand Blanchett's Oscar nod, aside from her freak-out toward the end. In reflection, I don't know what was creepier - Blanchett's affair with a teenager or Dench's obsessive friendship. I don't really recommend this film since the content is slightly disturbing but I do have to credit Dench with a stellar performance.
The Prince of Egypt - 8 stars out of 10
The Prince of Egypt - 8 stars out of 10
"The Prince of Egypt" is still one of the best non-Disney cartoons to date. The unique animation style gives it a very "Biblical" feel, for lack of a better time. Although some artistic liberties are taken, they enhance the story while preserving the important themes. I can't even begin to name the voice talents in this film, which would basically translate into a "Who's Who Among Hollywood Superstars". The melding of quality traditional animation with computer generated effects and the superb voice acting are accentuated by an incredible musical score by Hans Zimmer and enjoyable musical numbers. The songs are not quite as catchy as The Lion King and The Little Mermaid, but they do drive the film. Also, Zimmer's musical finale for "The Prince of Egypt" feels suspiciously similar to the ending of "The Lion King"... but I have no complaints because The Lion King's ending is incredible. Regardless of religion, this film pulled out all of the stops to deliver a wonderful story without becoming religiously overwhelming.
"The Prince of Egypt" is still one of the best non-Disney cartoons to date. The unique animation style gives it a very "Biblical" feel, for lack of a better time. Although some artistic liberties are taken, they enhance the story while preserving the important themes. I can't even begin to name the voice talents in this film, which would basically translate into a "Who's Who Among Hollywood Superstars". The melding of quality traditional animation with computer generated effects and the superb voice acting are accentuated by an incredible musical score by Hans Zimmer and enjoyable musical numbers. The songs are not quite as catchy as The Lion King and The Little Mermaid, but they do drive the film. Also, Zimmer's musical finale for "The Prince of Egypt" feels suspiciously similar to the ending of "The Lion King"... but I have no complaints because The Lion King's ending is incredible. Regardless of religion, this film pulled out all of the stops to deliver a wonderful story without becoming religiously overwhelming.
The Expendables - 1 star out of 10
The Expendables - 1 star out of 10
"The Expendables" is a string of action sequences without much plot in between. Unfortunately, each sequence lasts so long that by the end, it just isn't exciting anymore. I was annoyed that several of the action heroes had their names in huge letters on the movie poster and appeared in non-action roles. Bruce Willis is an incredible action star but if he is just going to have a non-fighting cameo, don't put his name with all of the others. Props for bringing back the Russian from Rocky, but it wasn't enough to redeem this film. I was expecting the ultimate guy movie and instead found a confused lot of action stars trying to figure out who were the important characters while others wondered why they received a random cameo.
"The Expendables" is a string of action sequences without much plot in between. Unfortunately, each sequence lasts so long that by the end, it just isn't exciting anymore. I was annoyed that several of the action heroes had their names in huge letters on the movie poster and appeared in non-action roles. Bruce Willis is an incredible action star but if he is just going to have a non-fighting cameo, don't put his name with all of the others. Props for bringing back the Russian from Rocky, but it wasn't enough to redeem this film. I was expecting the ultimate guy movie and instead found a confused lot of action stars trying to figure out who were the important characters while others wondered why they received a random cameo.
National Lampoon's Christmas Vacation - 7 stars out of 10
National Lampoon's Christmas Vacation - 7 stars out of 10
A simple plot full of stereotypical family holiday hijinks - it's delightful! Although I wouldn't put it on my list of yearly must-see Christmas films, it's always fun to watch a dysfunctional family at Christmas time (and the annoying neighbors who suffer from it). Many people laud "National Lampoon's Christmas Vacation" as the best Christmas movie out there but even if you disagree, everybody has a place in their heart for Christmas with the Griswolds.
A simple plot full of stereotypical family holiday hijinks - it's delightful! Although I wouldn't put it on my list of yearly must-see Christmas films, it's always fun to watch a dysfunctional family at Christmas time (and the annoying neighbors who suffer from it). Many people laud "National Lampoon's Christmas Vacation" as the best Christmas movie out there but even if you disagree, everybody has a place in their heart for Christmas with the Griswolds.
The Constant Gardener - 2 stars out of 10
The Constant Gardener - 2 stars out of 10
It seems like everybody loves this movie but I don't really understand. It just moves to slow for me. I love Fiennes and Weisz (and Huston was surprisingly good), but I just didn't care for the script.
It seems like everybody loves this movie but I don't really understand. It just moves to slow for me. I love Fiennes and Weisz (and Huston was surprisingly good), but I just didn't care for the script.
The Other Man - 6 stars out of 10
The Other Man - 6 stars out of 10
The Other Man moves pretty slow but is (surprisingly) worth watching for two very unexpected twists. Banderas is not very convincing but Liam Neeson delivers intensity throughout the film. Linney also has a few amazing moments toward the end. The film is quite a downer and this story of obsession cannot even begin to compete with movies like "Fatal Attraction" and "Basic Instinct", but it earns 6 stars for its two unexpected twists.
The Other Man moves pretty slow but is (surprisingly) worth watching for two very unexpected twists. Banderas is not very convincing but Liam Neeson delivers intensity throughout the film. Linney also has a few amazing moments toward the end. The film is quite a downer and this story of obsession cannot even begin to compete with movies like "Fatal Attraction" and "Basic Instinct", but it earns 6 stars for its two unexpected twists.
Chain Reaction - 5 stars out of 10
Chain Reaction - 5 stars out of 10
"Chain Reaction" is another chapter from The Ultimate Guide to Acting, by Keanu Reeves. Unfortunately, it's everything that you expect from a Reeves movie. Despite being conceptually sound, the plot is weak and the twist is far from shocking; yet, you'd expect more with the expert acting of Morgan Freeman and the attitude that Brian Cox brings to every film. But Keanu Reeves on that hover boat... Ugh, he looked utterly ridiculous. This movie would've been better if you had Morgan Freeman, Rachel Weisz, and Brian Cox playing opposite of a plastic pink flamingo. I don't regret watching this because of Freeman and Weisz, but that's probably because I'm still in denial of every scene with Keanu in it.
"Chain Reaction" is another chapter from The Ultimate Guide to Acting, by Keanu Reeves. Unfortunately, it's everything that you expect from a Reeves movie. Despite being conceptually sound, the plot is weak and the twist is far from shocking; yet, you'd expect more with the expert acting of Morgan Freeman and the attitude that Brian Cox brings to every film. But Keanu Reeves on that hover boat... Ugh, he looked utterly ridiculous. This movie would've been better if you had Morgan Freeman, Rachel Weisz, and Brian Cox playing opposite of a plastic pink flamingo. I don't regret watching this because of Freeman and Weisz, but that's probably because I'm still in denial of every scene with Keanu in it.
Shutter Island - 3 stars out of 10
Shutter Island - 3 stars out of 10
"Shutter Island" fell completely flat. In all of its predictability, I really hoped that Scorsese was setting me up for a huge shocker... and then I was disappointed to find out that it really was that predictabie. I love DiCaprio, Ruffalo, and Kingsley as actors and this film had incredible potential from an acting standpoint; however, this is an instance where excellent acting cannot save a script in which you figure out the ending within the first 10 minutes. There were some exciting moments and I expected to love this film but in the end, this movie left me with a bad taste.
"Shutter Island" fell completely flat. In all of its predictability, I really hoped that Scorsese was setting me up for a huge shocker... and then I was disappointed to find out that it really was that predictabie. I love DiCaprio, Ruffalo, and Kingsley as actors and this film had incredible potential from an acting standpoint; however, this is an instance where excellent acting cannot save a script in which you figure out the ending within the first 10 minutes. There were some exciting moments and I expected to love this film but in the end, this movie left me with a bad taste.
Phantom of the Opera (1943) - 8 stars out of 10
Phantom of the Opera (1943) - 8 stars out of 10
After so many years of exposure to the Andrew Lloyd Webber musical, the experience of the 1943 version of "Phantom of the Opera" was a fresh look at the famous story. This film sets all mysticism aside to make it much more believable than the musical. Although it has been criticized for having too much music and too little horror, I adored the opera sequences with Susanna Foster's angelic voice and Ward's musical adaptations of Chopin and Tchaikovsky. I loved Claude Rains as the Phantom and appreciated that the first 1/2-hour was his character development (showing events that lead up to Webber's version). My only distaste for this version is the occasional confusion between comedy and drama. It seemed like every time that the intensity started to build, there would be an awkward and comedic scene between Christine, Raul, and Garron. I would've preferred more horror and less comedy but if you enjoy the musical, you will surely enjoy this classic take on the story.
After so many years of exposure to the Andrew Lloyd Webber musical, the experience of the 1943 version of "Phantom of the Opera" was a fresh look at the famous story. This film sets all mysticism aside to make it much more believable than the musical. Although it has been criticized for having too much music and too little horror, I adored the opera sequences with Susanna Foster's angelic voice and Ward's musical adaptations of Chopin and Tchaikovsky. I loved Claude Rains as the Phantom and appreciated that the first 1/2-hour was his character development (showing events that lead up to Webber's version). My only distaste for this version is the occasional confusion between comedy and drama. It seemed like every time that the intensity started to build, there would be an awkward and comedic scene between Christine, Raul, and Garron. I would've preferred more horror and less comedy but if you enjoy the musical, you will surely enjoy this classic take on the story.
Drop Dead Fred - 7 stars out of 10
Drop Dead Fred - 7 stars out of 10
"Drop Dead Fred" explores the fascinating concept of what happens when your imaginary friend simply will not disappear. Filled with slapstick gags and dirty jokes, DDF delivers a lot of laughs but unfortunately, it had the same effect on me as The Hangover - I spent more time feelig sorry for the characters than enjoying the antics. The cuteness of Phoebe Cates is very reminiscent of Jennifer Gardner. I would watch this film again just for her. Rik Mayall was the perfect distance "over the top" in his role, so ridiculous that he MUST be imaginary! The entire cast does a great job of performing as if Fred is invisible to them. This movie is a classic and when you watch it, I hope that you don't feel bad for the characters as I did!
"Drop Dead Fred" explores the fascinating concept of what happens when your imaginary friend simply will not disappear. Filled with slapstick gags and dirty jokes, DDF delivers a lot of laughs but unfortunately, it had the same effect on me as The Hangover - I spent more time feelig sorry for the characters than enjoying the antics. The cuteness of Phoebe Cates is very reminiscent of Jennifer Gardner. I would watch this film again just for her. Rik Mayall was the perfect distance "over the top" in his role, so ridiculous that he MUST be imaginary! The entire cast does a great job of performing as if Fred is invisible to them. This movie is a classic and when you watch it, I hope that you don't feel bad for the characters as I did!
The Last of Sheila - 8 stars out of 10
The Last of Sheila - 8 stars out of 10
At first, I didn't care for "The Last of Sheila." I was having a lot of trouble keeping all of the characters in order; however, once the movie's first twist occurred and it spiraled into a new direction, I was hooked and wondering what could possibly happen next! This film is reminiscent of Hitchcock, showing you just enough to let your imagination fill in the rest of the grizzly details. The well-crafted screenplay keeps a sense of believability throughout the film and reveals enough clues in the beginning of the film that an audience member could solve the puzzle before the characters in the film "if they are SMART enough." Although I don't enjoy the story as much as Ten Little Indians or Clue, it has the same sensation. If you're discouraged at first, it really picks up after a slow start.
At first, I didn't care for "The Last of Sheila." I was having a lot of trouble keeping all of the characters in order; however, once the movie's first twist occurred and it spiraled into a new direction, I was hooked and wondering what could possibly happen next! This film is reminiscent of Hitchcock, showing you just enough to let your imagination fill in the rest of the grizzly details. The well-crafted screenplay keeps a sense of believability throughout the film and reveals enough clues in the beginning of the film that an audience member could solve the puzzle before the characters in the film "if they are SMART enough." Although I don't enjoy the story as much as Ten Little Indians or Clue, it has the same sensation. If you're discouraged at first, it really picks up after a slow start.
The A-Team - 9 stars out of 10
The A-Team - 9 stars out of 10
"The A-Team" FAR exceeded my expectations! The previews made me immediately associate this film with G.I. Joe (which I hated), and I expected more of the same. I was pleasantly surprised by a good story to match the awesome special effects. Add in an excellent cast and the perfect amount of humor and "The A-Team" had an equation for success. Cooper, Jackson, and Copley bring humor while Biel brings the perfect amount of hottness and Neeson ties it all together. I would definitely watch this film again and recommend it to any action fan.
P.S. The ending is genius!
"The A-Team" FAR exceeded my expectations! The previews made me immediately associate this film with G.I. Joe (which I hated), and I expected more of the same. I was pleasantly surprised by a good story to match the awesome special effects. Add in an excellent cast and the perfect amount of humor and "The A-Team" had an equation for success. Cooper, Jackson, and Copley bring humor while Biel brings the perfect amount of hottness and Neeson ties it all together. I would definitely watch this film again and recommend it to any action fan.
P.S. The ending is genius!
Innerspace - 4 stars out of 10
Innerspace - 4 stars out of 10
Eh, it's a typical 80's sci-fi film. Although the concept is interesting, I enjoyed Body Wars at Disney's EPCOT Center more than this film (which isn't saying much, since I never really cared for that ride). The film is very well edited, considering that Dennis Quaid is a voiceover for the majority of the film. Short is entertaining and Meg Ryan is cute as always, but I just didn't feel like like this decent story was successfully executed.
Eh, it's a typical 80's sci-fi film. Although the concept is interesting, I enjoyed Body Wars at Disney's EPCOT Center more than this film (which isn't saying much, since I never really cared for that ride). The film is very well edited, considering that Dennis Quaid is a voiceover for the majority of the film. Short is entertaining and Meg Ryan is cute as always, but I just didn't feel like like this decent story was successfully executed.
What Ever Happened to Baby Jane - 10 stars out of 10
What Ever Happened to Baby Jane - 10 stars out of 10
Oh my gosh, this movie is MESSED UP!!!! Who could be a more frightening villain than your own sister? For the duration of the movie, you'll feel just as vulnerable as Joan Crawford, unable to predict or comprehend Bette Davis' next maniacle move. And the fight scene beside the telephone? That was insane. Davis' performance borders between genius an madness as her deranged character tortures her bedridden sister. Her character really develops as she interacts with Victor Buono, showing her social awkwardness and inability to understand friendship, since she never had any. Everything about this film is done right - 2 incredible actresses, a score that enhances every tense moment, an unpredictably crazy (and yet believable) storyline, and that twist at the end!?!?!? "What Ever Happened To Baby Jane?" is intense from credits to credits and will leave you feeling uneasy and shocked - awesome.
Oh my gosh, this movie is MESSED UP!!!! Who could be a more frightening villain than your own sister? For the duration of the movie, you'll feel just as vulnerable as Joan Crawford, unable to predict or comprehend Bette Davis' next maniacle move. And the fight scene beside the telephone? That was insane. Davis' performance borders between genius an madness as her deranged character tortures her bedridden sister. Her character really develops as she interacts with Victor Buono, showing her social awkwardness and inability to understand friendship, since she never had any. Everything about this film is done right - 2 incredible actresses, a score that enhances every tense moment, an unpredictably crazy (and yet believable) storyline, and that twist at the end!?!?!? "What Ever Happened To Baby Jane?" is intense from credits to credits and will leave you feeling uneasy and shocked - awesome.
Salt - 6 stars out of 10
Salt - 6 stars out of 10
Salt fell short of my expectations. It deserves it's 6 stars simply for catching me 100% off-guard. I NEVER expected it to go in the direction that it did. I enjoy Jolie in the action role but I definitely enjoyed the Tomb Raider movies more. She visually makes a great kick-butt spy but I wasn't particularly buying her character this time. It's a good "background movie" for the amazing chase and fight scenes, but I don't know if the story is worth a solid 90-minute investment.
Salt fell short of my expectations. It deserves it's 6 stars simply for catching me 100% off-guard. I NEVER expected it to go in the direction that it did. I enjoy Jolie in the action role but I definitely enjoyed the Tomb Raider movies more. She visually makes a great kick-butt spy but I wasn't particularly buying her character this time. It's a good "background movie" for the amazing chase and fight scenes, but I don't know if the story is worth a solid 90-minute investment.
Anaconda - 3 stars out of 10
Anaconda - 3 stars out of 10
Anaconda is everything that I had anticipated it would be as I've waited to see it for the past 13 years. Unfortuantely. I am confused at how they got such a talented cast to sign up for such a bad script. I will tip my hat to the special effects artists - the combination of CGI and live action is very impressive for a 1997 film and I truly enjoyed any scene with the snake. Unfortunately, there weren't enough of those scenes. The first half hour drags on as you want nothing more than to just see the anaconda. I enjoyed the performance of Hyde and found Wuhrer to be beautiful and compelling (somehow managing to make J-Lo look "average"), but I wasn't buying Jon Voit's accent - he just sounded like Christopher Walken the entire time. I can think of several hundred films that I'd rather watch again instead of Anaconda, but it's worth fast-forwarding through the "story" to get to the snake parts.
Anaconda is everything that I had anticipated it would be as I've waited to see it for the past 13 years. Unfortuantely. I am confused at how they got such a talented cast to sign up for such a bad script. I will tip my hat to the special effects artists - the combination of CGI and live action is very impressive for a 1997 film and I truly enjoyed any scene with the snake. Unfortunately, there weren't enough of those scenes. The first half hour drags on as you want nothing more than to just see the anaconda. I enjoyed the performance of Hyde and found Wuhrer to be beautiful and compelling (somehow managing to make J-Lo look "average"), but I wasn't buying Jon Voit's accent - he just sounded like Christopher Walken the entire time. I can think of several hundred films that I'd rather watch again instead of Anaconda, but it's worth fast-forwarding through the "story" to get to the snake parts.
Devil - 9 stars out of 10
Devil - 9 stars out of 10
After several misses, M. Night Shyamalan finally has another hit! Although M. Night didn't direct this one, he wrote the story and it is the unique concept and the storytelling that make this movie awesome. Without a superstar actor or actress, the focus of the film is evenly spread between the characters and enhances the theme that these events could take place at any time in any place. The true star of this film is cinematographer Tak Fujimoto, whose challenge was to create driving intensity within a 4-foot-by-6-foot elevator. With fast zooms, quick cuts, and sudden black outs, the terror of the characters permeates through the screen. I wish that I would've seen this in the theater to experience all of the lights-out, pitch-black screaming sequences. A strong transformation of characters (in a mere 80 minutes), a twisting who-dunit story, and excellent cinematography make this a must-see for any lover of thrillers.
After several misses, M. Night Shyamalan finally has another hit! Although M. Night didn't direct this one, he wrote the story and it is the unique concept and the storytelling that make this movie awesome. Without a superstar actor or actress, the focus of the film is evenly spread between the characters and enhances the theme that these events could take place at any time in any place. The true star of this film is cinematographer Tak Fujimoto, whose challenge was to create driving intensity within a 4-foot-by-6-foot elevator. With fast zooms, quick cuts, and sudden black outs, the terror of the characters permeates through the screen. I wish that I would've seen this in the theater to experience all of the lights-out, pitch-black screaming sequences. A strong transformation of characters (in a mere 80 minutes), a twisting who-dunit story, and excellent cinematography make this a must-see for any lover of thrillers.
Lucas - 4 stars out of 10
Lucas - 4 stars out of 10
"Lucas" is pretty standard when it comes to teenage 80's movies. Although I rolled my eyes through the first 15 minutes of the film, I have to admit that the story improved after that. Who knew that Kerri Green was in a movie other than The Goonies!!! She was cute, although Winona Ryder was cuter. It managed to avoid predictability in the end; unfortunately, it would have been better if it was predictable. Particularly with the potential that was underdeveloped with Ryder. I feel like this movie really missed its mark, especially because it becomes difficult to root for Lucas when Charlie Sheen's character is such a nice guy. I guess the problem is that this movie favors a realistic result instead of the cheesy expectation that we expect in an 80's comedy. My favorite part of the whole movie is probably the choir scene where they are all looking at each other, but it wouldn't be worth watching again just for this 2-minute sequence.
"Lucas" is pretty standard when it comes to teenage 80's movies. Although I rolled my eyes through the first 15 minutes of the film, I have to admit that the story improved after that. Who knew that Kerri Green was in a movie other than The Goonies!!! She was cute, although Winona Ryder was cuter. It managed to avoid predictability in the end; unfortunately, it would have been better if it was predictable. Particularly with the potential that was underdeveloped with Ryder. I feel like this movie really missed its mark, especially because it becomes difficult to root for Lucas when Charlie Sheen's character is such a nice guy. I guess the problem is that this movie favors a realistic result instead of the cheesy expectation that we expect in an 80's comedy. My favorite part of the whole movie is probably the choir scene where they are all looking at each other, but it wouldn't be worth watching again just for this 2-minute sequence.
The Next Three Days - 8 stars out of 10
The Next Three Days - 8 stars out of 10
A story of this complexity opens itself to exposed plot-holes but "The Next Three Days" manages to fill in every gap as it seamlessly transitions through the improvisatory plans of its main character. Russell Crowe delivers determination and intensity as he searches for a way to free his wife from prison. I enjoyed his resourcefulness as he used youtube and photoshop in his scheming. Although Liam Neeson's role is so small that it's barely worth mentioning, Brian Dennehy thrives as the stone-faced, emotionally exhausted father. His gruff facial expression is incredible, keeping a smile from permeating his lips at any moment. His handshake with Crowe is one of the most subtle but amazing emotional movie moments in the past 10 years. Banks delivers a nice performance and looks great, but can't even begin to compare with the beauty of Olivia Wilde - I definitely didn't mind the scenes where I got to look at her. Pittsburgh was a great backdrop for this film, both because of the prison and also the setting of a little "big" city. As a Pittsburgh native, this movie took on an additional dimension as all of the camera shots felt so familiar. The flashback at the end is the perfect wrap-up to this film. Although the events of this film are farfetched, the entire story "feels" right from start to finish and brings the necessary sense of realism that prevents it from becoming comical.
A story of this complexity opens itself to exposed plot-holes but "The Next Three Days" manages to fill in every gap as it seamlessly transitions through the improvisatory plans of its main character. Russell Crowe delivers determination and intensity as he searches for a way to free his wife from prison. I enjoyed his resourcefulness as he used youtube and photoshop in his scheming. Although Liam Neeson's role is so small that it's barely worth mentioning, Brian Dennehy thrives as the stone-faced, emotionally exhausted father. His gruff facial expression is incredible, keeping a smile from permeating his lips at any moment. His handshake with Crowe is one of the most subtle but amazing emotional movie moments in the past 10 years. Banks delivers a nice performance and looks great, but can't even begin to compare with the beauty of Olivia Wilde - I definitely didn't mind the scenes where I got to look at her. Pittsburgh was a great backdrop for this film, both because of the prison and also the setting of a little "big" city. As a Pittsburgh native, this movie took on an additional dimension as all of the camera shots felt so familiar. The flashback at the end is the perfect wrap-up to this film. Although the events of this film are farfetched, the entire story "feels" right from start to finish and brings the necessary sense of realism that prevents it from becoming comical.
Ocean's Eleven (1960) - 7 stars out of 10
Ocean's Eleven (1960) - 7 stars out of 10
How can you even begin to laud the all-stars that make up this cast? Shifting focus away from the Rat Pack for a moment, Dickinson was charming, Romero was just plain cool, and Ilk Chase may have had the best performance in the entire film. One of the joys of watching the Rat Pack act is that you know that you will end up with an incredible soundtrack. From the moment that Sammy Davis Jr. sings with that harmonica, you know that you are in for a treat. But as far as the movie goes, I wish that I would've seen this before I fell in love with the remake - I spent too much time comparing. I wish that I would have gotten to know many of the characters better. One of the great things about the remake is that the characters are all so dynamically different that you get to know their personalities from beginning to end. In this version, a lot of them just blend together. I do like that the basic premise of both films is the same, but the circumstances, motivations, and means are all completely different to seperate these two films. Although the first half of this film is pretty slow, the ending is genius and I'd definitely recommend it.
P.S. Frank Sinatra and Dean Martin = Coolest Men to Walk the Earth
How can you even begin to laud the all-stars that make up this cast? Shifting focus away from the Rat Pack for a moment, Dickinson was charming, Romero was just plain cool, and Ilk Chase may have had the best performance in the entire film. One of the joys of watching the Rat Pack act is that you know that you will end up with an incredible soundtrack. From the moment that Sammy Davis Jr. sings with that harmonica, you know that you are in for a treat. But as far as the movie goes, I wish that I would've seen this before I fell in love with the remake - I spent too much time comparing. I wish that I would have gotten to know many of the characters better. One of the great things about the remake is that the characters are all so dynamically different that you get to know their personalities from beginning to end. In this version, a lot of them just blend together. I do like that the basic premise of both films is the same, but the circumstances, motivations, and means are all completely different to seperate these two films. Although the first half of this film is pretty slow, the ending is genius and I'd definitely recommend it.
P.S. Frank Sinatra and Dean Martin = Coolest Men to Walk the Earth
The Hand That Rocks the Cradle - 8 stars out of 10
The Hand That Rocks the Cradle - 8 stars out of 10
Based on its synopsis, I expected to roll my eyes all the way through The Hand that Rocks the Cradle; however, the scheme formed by Payton somehow manages to avoid being far-fetched and becomes so realistic that it is scary. A script like this typically comes with bad acting and a series of unrealistic circumstances, but nearly every event seemed relevant and realistic. The real highlight of this film is Rebecca De Mornay , who establishes herself as one of the most evil villains that I've ever seen. She was perfectly cast, transforming from innocence to seductive to creepy to frightening. After the first few minutes, I was annoyed with the film and thought that it'd be terrible, but it worked into the story well and left me pleasantly shocked and impressed. You may think that this will be awful and predictable but in the end, this movie really delivers.
Based on its synopsis, I expected to roll my eyes all the way through The Hand that Rocks the Cradle; however, the scheme formed by Payton somehow manages to avoid being far-fetched and becomes so realistic that it is scary. A script like this typically comes with bad acting and a series of unrealistic circumstances, but nearly every event seemed relevant and realistic. The real highlight of this film is Rebecca De Mornay , who establishes herself as one of the most evil villains that I've ever seen. She was perfectly cast, transforming from innocence to seductive to creepy to frightening. After the first few minutes, I was annoyed with the film and thought that it'd be terrible, but it worked into the story well and left me pleasantly shocked and impressed. You may think that this will be awful and predictable but in the end, this movie really delivers.
Los Cronocrímenes (Timecrimes) - 9 stars out of 10
Los Cronocrímenes (Timecrimes) - 9 stars out of 10
Wow, what a cleverly layered, mind-bending display of causality that somehow remains easy to follow! The entire thing is very straightforward. It does a great job of making you think that it will take place on two levels, only to expand to a third and fourth level. You'll think that you have the twist figured out (and you do), but then the twist entails much more than you could ever anticipate. Karra Elejalde's nearly one-man-performance creates a unique character transformation, as we get to see all four versions of his character at the same time. While "Primer" is a realistic time-travel film because the science adds up, "Timecrimes" focuses on realistic implications that could arise in a time-travelling scenario. The writers must have crafted this script from end-to-beginning but the final result is a seamless sequence of events that are as imaginative as they are realistic.
Wow, what a cleverly layered, mind-bending display of causality that somehow remains easy to follow! The entire thing is very straightforward. It does a great job of making you think that it will take place on two levels, only to expand to a third and fourth level. You'll think that you have the twist figured out (and you do), but then the twist entails much more than you could ever anticipate. Karra Elejalde's nearly one-man-performance creates a unique character transformation, as we get to see all four versions of his character at the same time. While "Primer" is a realistic time-travel film because the science adds up, "Timecrimes" focuses on realistic implications that could arise in a time-travelling scenario. The writers must have crafted this script from end-to-beginning but the final result is a seamless sequence of events that are as imaginative as they are realistic.
Three Days of the Condor - 6 stars out of 10
Three Days of the Condor - 6 stars out of 10
Robert Redford teams up with Faye Dunaway in this slow-moving story of intrigue. Although I enjoyed the chemistry between the two, this love interest often appears to be a means of extending the film's running length. This conspiracy story starts off with a bang (literally and figuratively) but it's pacing continually slows, occasionally interrupted with an action sequence. Although the film contains several excellent scenes (like Dunaway's emotional phone conversation or Redford's fight with the mailman), everything else moves a bit too slow for my taste.
Robert Redford teams up with Faye Dunaway in this slow-moving story of intrigue. Although I enjoyed the chemistry between the two, this love interest often appears to be a means of extending the film's running length. This conspiracy story starts off with a bang (literally and figuratively) but it's pacing continually slows, occasionally interrupted with an action sequence. Although the film contains several excellent scenes (like Dunaway's emotional phone conversation or Redford's fight with the mailman), everything else moves a bit too slow for my taste.
Orphan - 7 stars out of 10
Orphan - 7 stars out of 10
For a scary movie, Orphan certainly offers some incredible acting. Vera Farmiga is absolutely wonderful, displaying impressive visual acting skills as the sound reel goes silent when interacting with her deaf daughter. And Isabelle Fuhrman, where did this girl come from? Although her Russian accent disappeared on a few occasions, this 10-year-old brings her character to life by rapidly switching between her sweet side and her evil side (including an amazing "transformation" at the end). Aside from the opening sequence, the first section of this film would lead you to believe that it will be a heartwarming ABC Family story. Things then quickly change as Fuhrman exposes her dark side. That scene with the paintings and the neon light from the fish tank - unbelievably cool. And the roses... so psychologically twisted! Every event from the characters' pasts is craftily revealed at its strategic time and the big twist gives credibility to every happening that seemed far-fetched when it occurred. My only complaint is that the final 5 minutes took it beyond my suspension of disbelief and made me roll my eyes a few times. Even creepier than the story is Fuhrman's own opinion of her character: "I never saw Esther as scary and was never afraid of her either. Esther's dream is to find love and a perfect family that would appreciate her. She wants it so badly that she has to remove all the obstacles on her way to achieving her dream. It's a life-or-death stakes for her." I had expected a horror film but was pleased that Orphan ended up being a non-stop thrill ride that will forever make me second guess whether things are as they appear.
For a scary movie, Orphan certainly offers some incredible acting. Vera Farmiga is absolutely wonderful, displaying impressive visual acting skills as the sound reel goes silent when interacting with her deaf daughter. And Isabelle Fuhrman, where did this girl come from? Although her Russian accent disappeared on a few occasions, this 10-year-old brings her character to life by rapidly switching between her sweet side and her evil side (including an amazing "transformation" at the end). Aside from the opening sequence, the first section of this film would lead you to believe that it will be a heartwarming ABC Family story. Things then quickly change as Fuhrman exposes her dark side. That scene with the paintings and the neon light from the fish tank - unbelievably cool. And the roses... so psychologically twisted! Every event from the characters' pasts is craftily revealed at its strategic time and the big twist gives credibility to every happening that seemed far-fetched when it occurred. My only complaint is that the final 5 minutes took it beyond my suspension of disbelief and made me roll my eyes a few times. Even creepier than the story is Fuhrman's own opinion of her character: "I never saw Esther as scary and was never afraid of her either. Esther's dream is to find love and a perfect family that would appreciate her. She wants it so badly that she has to remove all the obstacles on her way to achieving her dream. It's a life-or-death stakes for her." I had expected a horror film but was pleased that Orphan ended up being a non-stop thrill ride that will forever make me second guess whether things are as they appear.
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