In a world where most horror films follow a certain
equation, “Visions” reverses the equation in a way that I have never seen
before. This direct-to-video is quite impressive and deserves a
theatrical run. The film follows a pregnant mother who is haunted by a
tragedy from her past. Sounds pretty standard, but the delivery is
magnificent. The setting is interesting, tucked away in the mountains for
a feeling of isolation but at a vineyard that has neighbors close enough that
the main couple frequently interacts with others. The mystery develops at
a pace that keeps us interested but gives us time to question where the visions
come from, what they mean, and how the house factors into them. There are
a few big clues throughout the film that could give it away but the script
withholds one important piece of information that renders the clues
useless. This provides us with that great “A-ha!” moment at the
end. The way that every single clue lines up in the final sequence is
sophisticated beyond most horror films. This amazing story is accompanied
by strong performances that bring it to life, particularly Isla Fisher in the
lead role. Her character feels real but her distress over her past makes
us question if her visions are real. She is joined by Anson Mount as her
sympathetic husband and Joanna Cassidy as the token
in-tune-with-the-supernatural-world character. I was particularly
impressed with Gillian Jacobs and her impassioned role. Jim Parsons and
Eva Longoria are there to add big names to the cast list but they don’t do
much. Overall, it’s easy to disregard “Visions” at first glance since it
never appeared in US theaters. However, don’t pass on this film just
because you’ve never heard of it! Once you give it a chance, you will
find that its sophisticated concept and execution aspire beyond most big-budget
horror films. This is a must-see!
[Pictured: Isla Fisher brings intensity to this well-written story]
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