Sinister - 7 stars out of 10

Sinister - 7 stars out of 10

"Sinister" is everything that its title implies and more.  It is pure graphic terror without comic relief or even a break from the heightened sense of fright.  The film actually has a very artistic flare to it, reminiscent of Hitchcock in its use of clever camera angles and its method of showing just enough to let your imagination fill in the gaps, but not so much that the violence loses its poignancy.  I particularly loved the artistry of the scene with the family whose throats are sliced, cutting away from the home movie as the knife approaches and showing the murder in the reflection of the protagonist's glasses.  Taking inspiration from "The Ring" through its creepy home movie with quick cuts and horrific imagery, "Sinister" uses the same scare tactic over and over, and yet it is incredibly effective.  The script focuses on the strange things that happen at night as Ethan Hawke analyzes the home movies, but these intense sequences are only broken up by a few minutes of daylight before jumping into the next.  My heart never stopped pounding through my chest and it felt as if there would be no end to the tension.  There isn't really a twist at the end.  You can feel the mystery being slowly revealed throughout the film but it doesn't matter. - the ending explanation (which was easily predicted) is so visually disturbing that figuring it out on your own doesn't matter.  This film is a thriller just as must as it is a horror film, but no matter how you categorize it, it will make you think twice the next time that you see a lawnmower or a tire swing.  As I have written this review, the opening image of the 4 bodies being hung from the tree has slowly worked its way into my imagination and I am now freaked out and looking over my shoulder - that's how awesome "Sinister" is.

The Perks of Being a Wallflower - 10 stars out of 10

The Perks of Being a Wallflower - 10 stars out of 10

"The Perks of Being a Wallflower" is simply awesome.  Excellent storytelling, well-developed characters, and several magical moments make this one film that you just can't miss.  The original novel uses a series of letters from the main character to his best friend to tell his story and this adapted screenplay does an incredible job of bringing his story to the silver screen.  The story is a gritty chronicle of the social obstacles of high school.  From the highs to the lows, the main character goes through many relatable experiences as he finds his place within high school society: learning what true friendship is, discovering drugs, falling in love, and many other societal experiences, all while trying to cope with his past.  Although this is a teen drama, it appeals to adults because it is a higher quality than your typical teen drama and all of the experiences of the main characters will bring back nostalgic or painful memories.  The main draw of this film is the acting and delivery of dialogue.  Emma Watson sheds the Hermione stereotype with a dramatic and dynamic performance filled with emotion.  She develops the low self-worth of her character by exuding confidence through her actions and a need for acceptance through her eyes.  She will give you chills over and over again, particularly as she begins to take care of Charlie.  Logan Lerman plays Charlie and gives this character's social and emotional state a noticeable progression, all while visibly showing his baggage through the good times and the bad.  Ezra Miller gives Patrick that personality that makes him the type of guy that anybody would want to hang out with.  But even with these awesome performances, this film drew me in through its magical moments.  They are those moments that I experienced in high school or wish I had experienced.  Each of these poignant experiences are accompanied by dialogue that creates small moments of perfection, including the toast to Charlie, Watson's reaction to the Christmas card, the first kiss, and the goodbye.  "The Perks of Being a Wallflower" is the complete package and few other films can create the realism contained in this tragic but uplifting story.

11:14 - 8 stars out of 10

11:14 - 8 stars out of 10

Crash + Vantage Point + a little comedy = 11:14  The script of this movie was incredibly well thought out in a series of stories that reveal a little bit about the previous story each time.  As each new story unwinds, the viewer discovers a deeper connection between the characters and the events presented throughout the movie.  With a great cast of characters, this movie never loses the realism that is necessary to believe that these events could actually take place.  If you enjoy movies with intertwined stories that all relate to each other in the end, put this underrated film on your list.

12 Angry Men (1957) - 10 stars out of 10

12 Angry Men (1957) - 10 stars out of 10
800th Review

Gutsy, dynamic acting pays off in this movie that can't rely on special effects or elaborate sets.  "12 Angry Men" affords Lee J. Cobb the opportunity to deliver one of the most unforgettable performances in movie history!  The characters in this movie don't even have names (Juror #3, Juror #8), and yet you will empathize with each juror, even without knowing his background.  Even more, you will see these characters develop without divulging person details about their lives; instead, their reactions to the debate reveal who they are until you can predict how they will act in response to each line of dialogue.  An incredible story unfolds through the raw emotion contained in every second of this film.  With actors like the compassionate Henry Fonda, the baseball-loving Jack Warden, the bigot Ed Begley, the Piglet John Fiedler, the wisdom-filled Joseph Sweeney, and the other 7 incredible actors, tensions are high.  The entire story eventually revolves around Cobb whose temper and frustration lead to some of the most powerful monologues in all of film.  Everything is enhanced by the genius directing of Sidney Lumet, as the camera angles progressively move from above the actors to eye level to beneath the actors, creating a claustrophobic sense that the room is shrinking.  The truly amazing thing is that this story only has 12 characters and the entire thing takes place in one room, yet the cinematography and tracking shots help to sustain a driving intensity from start to finish.  "12 Angry Men" is a clinic on great acting and, although it did not win any Oscars or enjoy much success in its time, this is one of the five greatest movies of all time.

Mickey's Christmas Carol - 6 stars out of 10

Mickey's Christmas Carol - 6 stars out of 10

"Mickey's Christmas Carol" is a good introduction to the Dickens tale for children but lacks a lot of the impact of other versions.  The characters are all developed very well during the first half of the film, incorporating the Disney personas into the Dickens characters.  The "casting" of Scrooge McDuck, Mickey, Jiminy Cricket, and even Goofy (as Jacob Marley) is very clever.  Comedy is added to the story (like Scrooge making Cratchit do his laundry and foreclosing on his fiancee's Honeymoon cottage) to keep it from getting too dark for kids.  Honestly, the film was set up for success but it is just too short.  Once Scrooge is visited by the ghosts, the film goes into fast-forward.  They almost completely glossed over the Ghost of Christmas Present (ingeniously portrayed by Willie the Giant) and the Ghost of Christmas Yet to Come comes and goes so fast that the entire emotional impact of the story and transformation of Scrooge is lost.  "Mickey's Christmas Carol" had all of the tools to be great but misses its mark in favor of a shorter run-time.

How the Grinch Stole Christmas (1966) - 10 stars out of 10

How the Grinch Stole Christmas (1966) - 10 stars out of 10

The original "How the Grinch Stole Christmas" is the best telling of any Dr. Seuss story.  Ever.  It should come as no surprise, being directed by Looney Tunes mastermind Chuck Jones with "Dr. Seuss" around to provide input.  The animation is of the highest quality (especially considering that this was created as a tv special) and Whoville is the epitome of Dr. Seuss' style.  There are so many classic images contained throughout this film (the ever-growing smiling on the Grinch's face, the reindeer horn on Max's head, the Christmas tree being shoved up the chimney, the heart growing three sizes) that it simply would not be Christmas without seeing these visual cues at some point in the season.  Perhaps the most memorable part of this film are the voice actors.  Boris Karloff (Frankenstein's monster) makes the Grinch scary enough to children that they will "get" the levity of his transformation, and Thurl Ravenscroft's performance of "You're A Mean One, Mr. Grinch" turns it into one of the most famous songs contained in any movie.  It is often imitated but never recreated - only Tony the Tiger can do it right.  It is difficult to believe that any American (regardless of religion or preferred holiday of celebration) has not seen this film but if this rare instance of depravity describes you, cue up ABC Family and watch it ASAP.  It is more than just a Christmas story - it is an important life lesson about the importance of being loved; however, it is also an amazing example of the power of the Christmas spirit and no holiday season is complete without it!

Home Alone - 9 stars out of 10

Home Alone - 9 stars out of 10

What a classic!  John Hughes writes a story about every child's dream... and then reminds us to be careful what you wish for.  The fun never stops, even when the conflict escalates.  "Home Alone" is the complete package, blending slapstick humor that appeals to kids and adults, clever quotable dialogue, antics that bring out the kid in anyone, two buffoon bad guys that you'll love to see get beat up, and a partridge in a pear tree.  I still remember seeing this in the theater at age 5 and have loved it ever since.  All of the characters are relatable, particularly Catherine O'Hara as the loving mother, Macaulay Culkin as the youngest sibling that gets blamed for everything, and John Candy as the kind stranger filled with the Christmas spirit.  Even though it's fun to see the character development of Kevin as he grows in responsibility and character (and to see him trick the pizza guy), the highlight of this film is the booby-trapped house as Marv and Harry get beat up for the final half-hour.  The script is gritty enough to avoid that Hallmark Channel feel, while still being family friendly and teaching some important moral lessons about judging others by their looks and the importance of family.  "Home Alone" may take place during the Christmas season but this film focuses on family instead of the Christmas spirit.  You'll laugh, you'll cringe, and you'll probably shed a few tears at the end in this holiday classic.

Raising Arizona - 7 stars out of 10

Raising Arizona - 7 stars out of 10

The Coen brothers once again strike comic genius with "Raising Arizona."  This character-driven script about a couple who kidnaps a baby from a set of quintuplets because they cannot have a baby of their own is clever and absurd (in a good way).  This film was made before whatever catastrophic event turned Nicolas Cage into a terrible actor and he brings great personality to this character.  The highlight for me is Holly Hunter as Ed, sweet, insecure, and mixed up with the wrong crowd.  The ludicrous dialogue and situational irony drive the film from start to finish without ever losing steam, starting with a montage of Hi hitting on Ed each time he's arrested, continuing with every sequence involving the bounty hunter, and ending with the fate of Glen.  The cast includes hilarious supporting performances by John Goodman and Frances McDormand.  You have to be in the right frame of mind for "Raising Arizona" to enjoy its brand of humor - just don't expect a single serious moment (until its surprisingly heart-warming ending).

Brüno - 2 stars out of 10

Brüno - 2 stars out of 10

"Brüno" is beyond offensive.  Riding on the coattails of "Borat," Sacha Baron Cohen tries to duplicate the success of his candid exploitation of unknowing bystanders; unfortunately, all that he ended up with was an endless display of uncomfortable shock value gay-bashing.  Where "Borat" is funny through its situational irony that cleverly explores the character's ignorance toward American culture, "Brüno" uses the same gay joke over and over again through gratuitous sexual content.  The candid reactions of the film's cast are not entertaining because I feel bad for these poor "victims" (and audience members) as they are forced to see his private parts during the film.  There is nothing likeable about the Brüno (in fact, he is one of the most annoying characters that I have ever seen) and I wish that Sacha Baron Cohen would have been smart enough to go out on a high note with "Borat."

L'Heure d'été (Summer Hours) - 3 stars out of 10

L'Heure d'été (Summer Hours) - 3 stars out of 10
 
"L'Heure d'été" was a bit slow for my taste.  I love Juliette Binoche and Edith Scob had some nice delivery of her dialogue, but it honestly took over three hours to get through this film because I kept falling asleep.  The story is interesting as it shows how the lives of three children went in completely opposite directions and how their perspectives on dividing up their deceased mother's estate are completely different depending on their personal circumstances.  I liked all of the references to art but feel that the art aspect was underplayed.  "L'Heure d'ete" has some interesting content but for me, it fell flat as a whole.

The Pirates of Penzance (1983) - 10 stars out of 10

The Pirates of Penzance (1983) - 10 stars out of 10

"The Pirates of Penzance" is a perfect telling of Gilbert and Sullivan's famed operetta.  Having a great familiarity and affinity for the show, I approached this film with a critical eye but was thrilled with my findings.  The sets are awesome, bringing the story the life while still giving it a "stage" feel.  The adaptation of the orchestration to include modern instruments was also interesting and never detracted from the show.  When I read some of the names on the cast list, I wondered how these actors could play these roles, but this is actually one of the most perfectly cast films that I have ever seen.  Kevin Kline's performance as the Pirate King absolutely dominates the film, from the buffoonery of his interactions with the Major General to the moment when he pretends to pass out during "My Eyes Are Fully Open."  Angela Lansbury is not a voice that I would generally associate with Ruth but her acting is so superb that it doesn't even matter.  Linda Ronstadt is cute as Mabel but is quickly forgotten because she plays opposite of Rex Smith as Frederic.  His over-the-top rock star moment when he sings for the daughters with the wind in his hair says it all.  Finally, George Rose IS the Modern Major General and nobody else could play this role so well.  This film is so good that it will take 3 hours to watch once you've rewound and rewatched all of your favorite songs 2 or 3 times.

Food, Inc. - 8 stars out of 10

Food, Inc. - 8 stars out of 10

"Food, Inc." should not be watched while consuming meat.  The gruesomely detailed exploration of the food industry exposes the man (and machinery) hiding behind the curtain.  Everything that the food industry never wanted you to see is contained in this film that brings transparency to the unfair treatment of workers and animals.  The film fails to address the challenges of feeding a constantly growing global community, but it won't matter in the end because the treatment of the animals that we eat is enough to make you sick (figuratively and literally).  The film targets food companies that hold a monopoly on the market, forcing farmers to conform to their ways or find themselves with crops that they are unable to sell.  "Food, Inc." may shed some light on the products that we consume but more than anything, it is a strong reminder that ignorance is bliss.

Le Ballon Rouge (The Red Balloon) - 7 stars out of 10

Le Ballon Rouge (The Red Balloon) - 7 stars out of 10

"Le Ballon Rouge" is a cute short film about a boy who befriends a red balloon (actually... a red balloon who befriends a boy) and their adventures around Paris.  But there is a lot more to this film than a childish story about balloons and bullies.  It tells its story with minimal dialogue, its imagery is memorable, and the ending is quite poignant.  The influence of this film is not difficult to find, whether it is the balloon cluster theme of Pixar's "Up" or a parody like Don Hertzfeldt's "Billy's Balloon."  By the way, if you have never seen the aforementioned short, it is very mean-spirited but once you've seen "Le Ballon Rouge," you'll get it and it will become hilarious.  This film is a slice of Parisian life as it explores the Belleville area of Paris.  Anybody who has visited this city will enjoy the authentic feel of a Parisian neighborhood.  The film also serves as a historical record of Belleville as this area of Paris has since been demolished.  It is really special that director Albert Lamorisse used his children in the main roles and his son Pascal is very impressive.  "Le Ballon Rouge" is an all-around fun film and, while kids are sure to enjoy it, this film has enough substance to excite adults.

Killers - 7 stars out of 10

Killers - 7 stars out of 10

I really enjoyed "Killers."  Granted, I hated "Knight and Day" with Tom Cruise so much that I have an incredibly low expectation for every assassin-thriller-romantic comedy that I watch, but I did think that this film had a decent story.  I also enjoyed it because Ashton Kutcher reminded me of John Krasinski more than he reminded me of Ashton Kutcher (which made his performance bearable), and I found Katherine Heigl to be charming and hilarious so it was never a burden to watch.  The action sequences were frequent but never drawn out, the dialogue had a lot of laughs, and although the twist was a bit predictable, it properly pulled the entire story together.  "Killers" may not be very original but it does a good job within its cookie-cutter concept and comedic craftsmanship.

Balto - 4 stars out of 10

Balto - 4 stars out of 10

"Balto" is another one of those non-Disney animated films from the 90's that is enjoyable for kids but fails to achieve Disney standards.  It may not have the greatest animation or script, but I really enjoyed the film because of its cool (though loose) portrayal of the famous 1925 serum run to Nome.  The live-action intro starts the film with a "true story" feel and the live-action outro brings significance to the story (and maybe even a few tears).  I do take issue with a few of the characters (mainly Boris and the polar bears) who entertain younger kids but were really annoying for an adult.  That's really the difference between Disney animation (fun for the whole family) and the 90's imitations (geared toward kids to fill the seats instead of achieve cinematic perfection).  I expected a bit more from a film produced by Steven Spielberg; then again, look at "Indian Jones/Crystal Skull."  But aside from that, there is quality voice acting by Kevin Bacon, Bridget Fonda, and Jim Cummings and a really awesome bad guy in Steele.  "Balto" is an enjoyable family film and, though it can't compare to Disney, I'd watch it again (...and would likely cry again).

Moulin Rouge (1952) - 4 stars out of 10

Moulin Rouge (1952) - 4 stars out of 10

"Moulin Rouge" tells the story of artist Henri de Toulouse-Lautrec, a crippled man who only wanted to find love.  Jose Ferrer's performance is stunning as the atmosphere of 1890's Paris comes to life.  The special effects artists did a great job of turning this man of average stature into a convincing 4'6" character whose legs never properly grew.  It was enjoyable to see Zsa Zsa Gabor as Jane Avril but for the most part, the film tends to drag on.  All of the scenes in the Moulin Rouge are magic if you have ever had the opportunity to go for real and it is cool to see Lautrec's paintings come to life, but I'd much rather watch the modern musical with the same name if I am looking to be entertained.

Seeking a Friend for the End of the World - 5 stars out of 10

Seeking a Friend for the End of the World - 5 stars out of 10

This movie has me completely perplexed.  I couldn't have cared less about the movie or its characters; and yet, the final 2 minutes we so perfect that I became completely consumed with the story and couldn't hold back my tears.  And then again 5 minutes later when I rewatched the ending to see if I overreacted.  I cried even harder and was even more taken by its bittersweet simplicity.  Black comedies have never been my thing and I simply did not enjoy this film's depressing atmosphere mixed with ironic humor.  The acting is decent but it just feels like something is missing from the script.  The characters don't really grow and the film doesn't do a very good job of exploring it's main theme: "Priorities change when the end is near."  One thing that is NOT missing from the script is the unnecessary profanity laced throughout the first half of the film.  I can imagine several different ways that they could have told this story in a dramatic fashion that would have made me love these characters from the very start.  "Seeking a Friend for the End of the World" may not be the greatest film but it is absolutely worth watching for the last two minutes.  The final scene is literally one of my top 10 movie scenes of all time with its emotional dialogue, simplicity, and one final smile as the world fades away.  It is perfection.

Happy, Texas - 4 stars out of 10

Happy, Texas - 4 stars out of 10

This movie was good for a few laughs but that's all.  Steve Zahn gets credit for all of these laughs, particularly in the first scene and when he interacts with the pageant girls for the first time.  This movie lacks a strong plot and tries to make up with it with a lot of gay jokes.  William H. Macy's acting is entertaining but this movie's purpose does not extend beyond playing in the background while doing other things.

Where the Wild Things Are - 7 stars out of 10

Where the Wild Things Are - 7 stars out of 10

I was very confused at the target audience for this movie.  Though it is a children's book, this movie was filled with drama and moved at a slow pace.  I could hear that the "fun" scenes where they're jumping around, throwing things, or knocking down trees appealed to the kids in the theater (based on their giggling), but those scenes were infrequent.  That being said, Spike Jonze did a great job of bringing this classic story to life.  The Wild Things were SO realistic and Max Records is extremely talented.  I enjoyed the uniqueness of the soundtrack, using childrens voices and (I assume) a made-up language.  This movie starts off at a great pace, creating an immediate connection with Max and making his trip to the island seem realistic.  Every motion and emotion of the Wild Things was realistic, with the scene of Carol crying being the most moving of them all.  My expectations for this movie were too high after hearing rave reviews from so many people, but it was an enjoyable movie, appropriate for kids and enjoyable for adults, and though I'm only giving it 7 stars I'd definitely recommend it.

J. Edgar - 3 stars out of 10

J. Edgar - 3 stars out of 10

Good actors, bad make-up.  Clint Eastwood is generally one of my favorite directors but this film simply missed its mark.  The unlimited potential of J. Edgar Hoover's creation of the FBI is lost in a script whose timeline is too disjointed by a script that is inherently boring.  The previews for this film made it an obvious candidate for several Oscars; however, it did not earn a single nomination in spite of its list of big-name actors and one of the hottest directors in Hollywood.  Leonardo DiCaprio has established himself as one of the best actors of a generation and yet, this script does not afford him a single chance to show his mastery of emotional acting.  Naomi Watts is one of my favorite actresses but she's just sort of there.  Throw in Dame Judy Dench, Josh Lucas, and Armie Hammer for some more solid acting, but the entire thing is just so boring.  There was far too little emphasis on the Lindbergh kidnapping and far too much emphasis on Hoover's debated homosexuality.  "J. Edgar" tells an interesting piece of history but does so in a way that its 2+ hours become progressively more painful from start to finish.  Oh yeah, and the "old people make-up" is nearly laughable.

One Flew Over the Cuckoo's Nest - 10 stars out of 10

One Flew Over the Cuckoo's Nest - 10 stars out of 10

"One Flew Over the Cuckoo's Nest" bridges the gap between fiction and reality.  It's hard to believe that these actors aren't real mental patients as a dozen unique psychotic personalities are brought to life.  At first, they are just a generic group of loonies but when the camera shows each individual patient at the end, they become real people.  Each character has a unique ailment and these actors take individual responsibility for revealing these ailments without directly stating a diagnosis.  Jack Nicholson is so unpredictable that it is frightening.  While he deservedly took home the Oscar for Best Actor, my nomination would have gone to Sydney Lassick (playing Mr. Cheswick) who transforms from a middle-aged man to a temper-tantrum-throwing child in a matter of seconds.  The incredible atmosphere inside of the asylum develops through these conflicting personalities, from William Redford (Mr. Harding)'s well-educated superiority to Christopher Lloyd (Taber)'s profane personality, from Danny DeVito (Martini)'s delusions to Will Sampson (The Chief)'s silent but strong presence, and of course Brad Dourif (Billy)'s stuttering innocence and desire to be loved.  Louise Fletcher also took home an Oscar as the hard-hearted Nurse Ratched and Scatman Crothers adds fun amongst the madness.  Even more amazing than the acting is the films ability to raise the question: "What is crazy?"  It shows how one man's life can be destroyed by becoming a victim of the system   "One Flew Over the Cuckoo's Nest" is more than a film - it is a statement.  It deserves all of its Academy Awards and possesses some of the greatest acting that you will ever see.

Looper - 7 stars out of 10

Looper - 7 stars out of 10

"Looper" isn't the most innovative or mind-bending time travel film that I have ever seen, but it does take a fresh approach and delivers some solid acting performances.  While most time travel films focus on the main character moving through time, "Looper" is a character-driven film that examines the conflict raised by meeting one's future self and dissects the the effects on the future self as his past and his memories are altered.  The story works but the whole telekinetic thing is a bit over the top (but necessary as it becomes the entire plot).  It is easy to see that the writers focused on character development but needed a plot to tie the characters together.  Joseph Gordon-Levitt gives one of the greatest performances that I have ever seen.  It isn't because his character is particularly great or that he delivers an Oscar-worthy emotional performance.  The truly amazing thing about Gordon-Levitt is his mastery of Bruce Willis' facial expressions and mannerisms.  We have all seen Willis act throughout the years and he has a very distinctive way of carrying and expressing himself.  In general, these two actors do not look alike but because of Gordon-Levitt's mastery of these facial expressions, they become the same person at two different ages on the screen.  Willis doesn't deliver his greatest action performance but Emily Blunt really turned my head with her feisty, bad-a** attitude.  This character is so far away from her other roles that it took me awhile to recognize her, and even then I couldn't be sure.  One of the cooler concepts in the film is the clouding of Old Joe's memory as his personal history is altered.  The sequence of Paul Dano's older version of himself being slowly "taken apart" is really cool but disgusting and the concept of the mob using time travel to dispose of bodies is also pretty unique.  There aren't really any twists or surprises, just raw acting and an interesting concept with a villain that ties it together and doesn't do much more than that.

Une vie de chat (A Cat in Paris) - 5 stars out of 10

Une vie de chat (A Cat in Paris) - 5 stars out of 10

The setting is great, the animation style is great, but the story and dialogue are too kid-centric for adults.  While some of the content (champagne, smoking) earns "Une vie de chat" a PG-rating and may seem like it wasn't intended for kids, consider the Parisian culture and these things make sense in the setting.  At first, I thought that there was too much Cat and not enough Paris, but the second half of the movie is awesome, satisfying that Paris fix.  The animation during the blackout is incredibly cool and the gargoyles on Notre Dame add so much to the story and atmosphere.  "Une vie de chat" has a lot to offer but, while adults can enjoy this film, this is more of a good way to introduce kids to suspense films.

Thankskilling - 2 stars out of 10

Thankskilling - 2 stars out of 10

Few words can  do justice to "Thankskilling."  Some of the ones that can are "dreadful," "absurd," "stupid," and "oh my goodness, they can't be serious!"  Outside of the bad bird puns, unnecessary nudity, and awful acting... well there isn't really anything other than that in this film.  Oh yes, terrible dialogue!  The unfortunate thing about "Thankskilling" is that it is purposefully bad.  The greatest bad movies of all time ("Birdemic," "The Room," anything parodied by MST3000) are great because they were intended to be serious films.  Although "Thankskilling" is able to poke fun at bad films by stereotyping their worst qualities, it loses some of the hilarity when you know that the writers weren't serious.  At first, you can't tell if this ridiculous plot was unintentionally campy but as the film progresses, it becomes very obvious that the writers weren't serious.  My favorite part of the film is when the turkey cuts off the face of the sheriff, then proceeds to have a 5-minute conversation with three of the main characters (one of whom is th sheriff's daughter) without the kids realizing that this is the killer turkey in a mask.  While it's good for a few laughs, it is nowhere near the "quality" of historically bad films that we love to mock.  "Thankskilling" offers some of the worst acting, dialogue, and plot around but feels like a waste of time, even at 66 minutes.  "You're so STUFFED" if you expect much from this film.

Charade - 10 stars out of 10

Charade - 10 stars out of 10

How many twists are included in the equation for a great movie?  Charade answers back "One more!"  Audrey Hepburn is riveting in this classic thriller that exhibits one of the most intense endings in movie history.  It is difficult to find a moment to breathe during the final 15 minutes of this movie.  I love the chase scene where it cuts from Hepburn to Grant and back as they pass the columns.  If you're looking for one of Hepburn's greatest performances, a great supporting cast, and endless twists amidst a fascinating plot, "Charade" is your movie.

Sweet Charity - 6 stars out of 10

Sweet Charity - 6 stars out of 10

"Sweet Charity" is Bob Fosse at his finest.  While the story is a bit of a downer, the dancing will pick you right back up and have you scene-selecting to revisit the best dance numbers once the film has ended.  Shirley MacLaine is excellent as the luck-less lover that can't seem to find the right guy but her character isn't my favorite.  I was much more interested in Chita Rivera, both for her looks and her dancing.  The song "Hey Big Spender" is the perfect way to roll out the taxi dancer atmosphere and is also a prologue for the incredible Fosse choreography contained in this film.  Even though there's a story, some singing, and other various movie components occurring throughout the film, the most memorable sequence is completely unrelated to the story.  The "Rich Man's Frug" is the epitome of class and Fosse's masterpiece.  Suzanne Charney (the girl with the long ponytail) doesn't even have a character name, and yet she completely steals the show.  She is the image that I will always associate with this film and even if I never watch this one again, I will often visit this dance sequence on youtube (check out the link at the bottom of the review).  The other highlights of the film are Sammy Davis Jr. singing "The Rhythm of Life" and the girls dancing across the New York City rooftops singing "There's Got to Be Something Better Than This."  Although I really enjoyed bits and pieces of this film, they only make up about 20 minutes of the film's 2 1/2 hour run-time.  I give "Sweet Charity" a good rating because it has some amazing moments, but it isn't worth watching unless you've got your finger on the fast-forward button, ready to skip ahead to the next highlight.

https://www.youtube.com/watch?v=t0--eFfzDAM

Fargo - 10 stars out of 10

Fargo - 10 stars out of 10

"Fargo" is arguably the Coen brothers' greatest accomplishment.  Great performances by Frances McDormand, Steve Buscemi, and William H. Macy highlight the Coens' tragic plot of a simple con gone wrong.  No detail is spared from the amazing Minnesota accents to each bloody murder as this movie goes from controlled scheme to out-of-hand bloodbath.  Though 1996 wasn't the greatest year for movies, McDormand totally earned her Oscar with every ounce of realism brought to her role as Marge.  I often stereotype William H. Macy as having a small supporting character role in every movie he's been in, but his bright blue eyes shine as he "drives" the plot of Fargo.  This drama is underrated (despite its Oscar nominations) and deserves more notoriety amidst the great movies.

A League of Their Own - 9 stars out of 10

A League of Their Own - 9 stars out of 10

This movie is truly a classic.  The diverse personalities contained on the Rockford Peaches make them into a loveable group of girls that are fun to watch, whether they're winning or losing.  Madonna isn't my favorite but she's pretty hott in this movie.  Geena Davis and Lori Petty perfectly portray bickering (but loving) sisters and their chemistry drives this movie from start to finish.  Tom Hanks is hilarious though Bitty Schram probably has the funniest performance, from "There's no crying in baseball" to all of the antics of her obnoxious son.  As you can see, this movie is all about excellent individual acting and how they pull together as a team to create an entertaining experience.  "A League of Their own" definitely isn't the best baseball movie ever created, but it very well could be the funniest.

The Siege - 3 stars out of 10

The Siege - 3 stars out of 10

"The Siege" is an average action film with a cookie-cutter plot and a few memorable monologues by Denzel Washington.  I feel like a lot of the overarching themes were lost as I was waiting for Denzel's amazing acting to match wits with Bruce Willis' awesome action moments.  In the end, Denzel did a good job with the script that he was given but he could only do so much.  And Willis certainly did not take on his John McClane persona.  Annette Bening was there but didn't leave much of an impression and I just couldn't buy Tony Shalhoub's Lebanese accent (though, it's hard to picture him as anybody other than Adrian Monk).  The film has a few interesting twists but by the time that they appeared, I was completely disinterested.  The film is an anomaly because it started with an intense action sequence and got straight into the plot, and yet... I had no desire to continue.  In the world of hit or miss, "The Siege" misses its mark over and over again.

No Reservations - 9 stars out of 10

No Reservations - 9 stars out of 10

This movie was fantastic.  It was a romantic comedy but contained a lot of drama and some really thought-provoking moments.  There are times when you absolutely will smile (like the pillow fight) and others when you are sure to cry (like the hospital scene), but you'll find a release from the tension in the form of food.  Abigail Breslin was perfect for this role and rivals Dakota Fanning for one of the best child performances in a long time.  Aaron Eckhart is incredibly loveable and will capture your heart immediately.  To top it off, you get to experience a genius musical score by Philip Glass.  In his minimalist style, his simple piano motives manage to be unpredictable, giving a sensation of longing, comfort, beauty, and excitement at the same time.  This music is very important in creating a dramatic mood in the sad scenes which are placed amidst humorous scenes.  The music helps the viewer to feel the levity of the situation in spite of the entertaining side of the plot.  I was confused when I saw that he penned the music for this "romantic comedy," but when I realized that the movie was a lot more than that, it made perfect sense.  P.S. The ending is perfect!

Prometheus - 7 stars out of 10

Prometheus - 7 stars out of 10

"Prometheus" was far from what I expected.  What appeared to be a mind-bender with some intense content turned into a graphically violent alien film.  It was awesome, but definitely not what I expected.  The futuristic world of "Prometheus" is unique, unlocking the mystery of where mankind came from.  The mystery is set up very well through the first quarter of the movie and gains momentum as they explore the "cave" where they find the skeleton.  It is inevitable that bad things will happen upon returning to the ship, but it turns into an alien horror film that focuses more on scares and graphic violence than the unraveling mystery.  The thing that sets this film beyond others of the same genre is its acting.  Noomi Rapace is simply awesome.  She escapes her "Girl with the Dragon Tattoo" persona (original Swedish version) with this drastically different character whose passion drives the entire plot.  Whether she is lovingly interacting with her partner or screaming as her stomach is sliced open by lasers, she commands the screen from start to finish.  Michael Fassbender also steals the spotlight as android David.  Charlize Theron is only onscreen for 20 minutes and Guy Pearce for less than 5, but their presence is felt.  The entire film is like a long, impressive visual effect from the disintegrating humanoid in the first scene to the giant hologram star map and the disgusting alien offspring.  "Prometheus" is definitely a film that is worth watching, although it is definitely worth looking away during the graphic c-section... If that doesn't make you curious, nothing will!

The Punisher (2004) - 1 star out of 10

The Punisher (2004) - 1 star out of 10

Wow, this might be the worst Marvel movie ever.  It was literally difficult to even pay attention to the plot or to take the over-acting seriously.  May this rating is unfair because I barely paid attention to the movie, but that's how annoying it was.  I understand the revenge can be a motivating factor, but it's tough to love this "hero."  John Travolta is having one of his off-days in this film.  You hate him because he's annoying, not because he's evil.  I didn't find a single character or situation to be relate-able in this film, resulting in two hours of working on the computer and wondering why I ever turned the film on.  Don't waste your time - stick to the good Marvel movies (or even the mediocre ones... just anything but "The Punisher").

Cat on a Hot Tin Room (1958) - 9 stars out of 10

Cat on a Hot Tin Room (1958) - 9 stars out of 10

Wow.  Elizabeth Taylor.  Irresistible.  "Cat on a Hot Tin Roof" has a lot to offer, like an incredible story by Tennessee Williams, wonderful performances by Paul Newman and Burl Ives, and a dysfunctional family that keeps the film lighthearted while creating major conflict.  But the eyes of Elizabeth Taylor simply steal the show.  I don't know how anybody could watch this film without falling in love with her.  While I feel that the story falls short of "Streetcar," this slice of southern Americana shimmers with raw emotions and intense friction between characters.  Even though Tennessee Williams hated this adaptation because it eliminated the implied homosexuality of Brick, it is still an incredible film brought to life by two of cinema's finest.  You just have to experience the story for yourself, even though I'd likely watching "Streetcar" twice before watching this again once.

Hot Fuzz - 10 stars out of 10

Hot Fuzz - 10 stars out of 10

"Hot Fuzz" is one of the best comedies that I've ever seen.  As a cross between British and American comedy (so completely different), it takes the best features from each.  The story seems absolutely ludicrous but becomes realistic once the twist is revealed, while perfectly blending its comedy with action.  Simon Pegg is so funny (and cool at the same time) as Nicholas Angel and once he teams up with Nick Frost, hilarity ensues.  You'll love falling in love with all of the quirky characters in town while the cinematography and quick camera cuts keep you on edge as they enhance this film.  When you watch this movie, you can expect to laugh out loud, have your jaw drop, and to see "Romeo & Juliet" as you've never seen it before!  "Hot Fuzz" is a must-see.

Wreck-It Ralph - 10 stars out of 10

Wreck-It Ralph - 10 stars out of 10

"Wreck-It Ralph" is one of the most creative movies that I have ever seen.  It is totally different than any other movie out there, both in its concept and its atmosphere.  It has a great balance of laugh-out-loud moments, stunning visuals, and empathy for 8-bit arcade characters.  Its ability to highlight classic video game characters without clouding the plot is nothing short of impressive.  Even if you don't recognize a lot of the video game characters, you will still be overwhelmed by nostalgia.  The clever use of the video game characters is supplemented by endless jokes and gags using candy in Sugar Rush.  The story itself is amazing.  It never feels as if this is just an excuse to make a movie about video game characters.  Goofy plot ideas, like the characters becoming homeless if the game is unplugged, become realistic.  Honestly, this entire world becomes realistic!  The script is laid out beautifully as it nonchalantly introduces several important plot points which become vital to the resolution of the story.  There were a few jaw-dropping moments when those realizations hit me.  The characters leap off of the screen (no 3D pun intended) as they take on the human elements of loneliness, friendship, and the need for acceptance.  The voice actors give shape to these characters, particularly Sarah Silverman whose voice perfectly fits the lovable little brat personality of Vanellope.  John C. Reilly's ability to transition between gruffness and loneliness makes the Donkey Kong-esque Ralph into a very deep character who will tug at your heart.  The Felix character is completely defined by Jack McBrayer, the only person who can properly deliver the nerdy elements of his dialogue.  For a cartoon, Sergeant Calhoun is really hott and Jane Lynch was a great choice, particularly because she is so popular right now and this character is totally her.  Throw in the All-State guy and Alan Tudyk's Mad Hatter voice and you have the complete package.  Even with all of these great voice actors, the funniest character is probably Sour Bill with his incredibly dry delivery of every line.  The best part of "Wreck-It Ralph" is the way that it transports you into this video game world.  Whether it is Ralph's proportionally large hands, the way that the video game characters stereotypically move (jerky moves by the penthouse characters, Felix's jumping about, Vanellope's glitch), or the creative perspective of the characters being able to look out into the arcade from their game, this world begins to exist.  Even though you will find yourself laughing out loud as the bartender from Tapper delivers drinks and Vanellope makes "duty" jokes, the movie will probably leave a tear in your eye as Ralph discovers the power of friendship.  This may not be a Pixar film and it doesn't matter.  It is unique on the same level as "Toy Story" and I do not say that without deeply considering what I just said.  "Wreck-It Ralph" is a must-see for all ages that will leave you saying "Wow.  Just, wow."

Forever Plaid (2009) - 4 stars out of 10

Forever Plaid (2009) - 4 stars out of 10

"Forever Plaid" is an Off-Broadway review that brings a masterful approach to the tight harmonies of the 1950's.  This quartet of Plaids comes back to life for one final chance at musical stardom, singing incredible arrangements of classic hits.  The review is very loosely tied together by stories about each song, in the style of song introductions that you would expect to hear at a concert.  Even though the story of this group is pretty cheesy, it gives purpose to the show instead of it feeling like a random cover group of 50's rock bands.  This certainly isn't my favorite musical of all time and it doesn't really have any of my favorite songs, but the harmonies are to die for and it makes for an enjoyable musical experience.

Chico & Rita - 8 stars out of 10

Chico & Rita - 8 stars out of 10

This musical celebration of Cuban culture is a one-of-a-kind cartoon for adults, blending incredibly cool animation with great music and a heart-warming story.  At the center of this story is the outstanding soundtrack by Cuban pianist Bebo Valdes.  This music ties together the expansive story that takes place over 60 years from Cuba to New York City to Las Vegas.  The Spanish-spoken film is far from family friendly, including nudity and murder, but the entire thing develops like a beautiful painting that brings the Cuban music scene to life.  It was honored by being the first Spanish film nominated for a Best Animated Feature Film Oscar and has the quality about it that will keep me watching it over and over again.  "Chico & Rita" is a unique animated film that touches on some serious themes while being as visually stunning as it is aurally beautiful.

A Nightmare on Elm Street (1984) - 9 stars out of 10

A Nightmare on Elm Street (1984) - 9 stars out of 10

"Okay, Krueger... we play in your court."  This movie is INCREDIBLE!!!  Since most of it takes place during their nightmares, ANYTHING can happen and Wes Craven exploits this option without going over the top.  Each death is unique , creative, and unpredictable.  The Tina sequence is absolutely amazing and one of the most horrific scenes of any movie that I've seen.  I love the music - using the interval of a minor 3rd (often descriptive of children and lullabies) creates an extremely eerie effect.  The special effects were simple yet extremely effective.  Special effects artists of the 80's often tried to go beyond their capabilities and as a result, those effects look extremely fake today; however, in "Nightmare on Elm Street" they used stuntmen and pyrotechnics instead of underdeveloped CGI, claymation, etc.  These effects are still realistic and frightening to today's viewers and that is why it is the most effective horror movie from the 80's.  Freddy is a scary character, enshrouded in mystery so that we don't really know anything about him... we're just petrified of him.  Robert Englund is very effective as Freddy and it's entertaining to watch the very young Johnny Depp.  This movie is far superior to any of its contemporaries ("Halloween", "Friday the 13th").  This extremely creative idea has never been duplicated in any other scary movie and it delivers pure terror throughout (unlike its competitors that are just a little intense but hold back).  I can only imagine how terrorizing this would have been to see in 1984 but I'm glad that I can experience it today.

The Night America Trembled (Studio One) - 8 stars out of 10

The Night America Trembled (Studio One) - 8 stars out of 10
 
One of my favorite historical events comes to life through “The Night America Trembled.”  This installment of “Studio One,” a live-broadcast tv show that was known for its high quality of acting, shows the power of the media by retelling Orson Welles’ famous “War of the Worlds” radio broadcast.  It follows several different fictitious characters through the events that actually took place on October 30, 1938 as panic spread throughout the nation.  From the young couple necking in their car to the isolated babysitter to the college frat boys, all ears are on the radio during this alleged alien attack.  The story constantly shifts from the panicked characters to the radio studio, giving us some interesting insight into how a 1930’s radio broadcast was created.  The format of the performance is reminiscent of the golden age radio mysteries, further transporting us into the atmosphere of this evening.  Edward Murrow narrates the film and the unknown Ed Asner and Warren Beatty have bit parts.  You just have to see this – it is an interesting retelling of these events and I hope that somebody will make this into full-length feature someday.

The Strangers - 7 stars out of 10

The Strangers - 7 stars out of 10

I respect "The Strangers" because I never experienced a moment of "Awe, they ruined the story" or "This is stupid."  Is it the greatest scary movie of all time?  No.  But it does provide 80 minutes of adrenaline that never lets up.  Even though I rarely enjoy Liv Tyler in any role, her terror and screams were perfect in this film.  The joy of this film is the unknown - who are behind the masks?  Why are the masks so childlike but terrifying?  Why did they choose this couple?  What do they want?  This is where most movies would ruin the story by having it be some long-lost step-uncle who buried Aztec gold in the basement.  Instead, we are left with a logical, believable explanation that satisfies our curiosity but keeps up with the theme of the film.  I do not recommend watching this film with the lights out when you are home alone.  You will see faces in every window and figures in every doorway, to the point that you are fighting yourself not to double check for intruders.  The film doesn't need blood to magnify it's terror.  It just has to put us all in uncomfortable situations that we have experienced, especially hiding in the closet from something scary and dreams where you're trying to run but can't.  I do have to say that Tyler looked pretty ridiculous crawling around and think that it could've been portrayed in a less goofy manner, but overall it was a solid scare with some decent twists.(one in particular that you will see coming a mile away but pray that it doesn't end with inevitability).  It isn't my favorite scary film, but I'd recommend it.

The Last House on the Left (2009) - 2 stars out of 10

The Last House on the Left (2009) - 2 stars out of 10

"The Last House on the Left" is brutal.  From the start, it is easy to see that this film focuses on realism and shock value instead of chills and jump scenes.  Nobody can be prepared for the teenage rape, nor can they be prepared for the disturbing images from the final half hour of the film (mainly the garbage disposal).  Any quality of acting or script is completely lost because all that's left when the movie ends are lingering thoughts of the violent imagery.  All of the content is questionable, from killing cops to rape to getting high to homicide to revenge killing.  I am interested to see Wes Craven's original version because it's hard to believe that he could have created anything this extreme in 1972.  The story contains an interesting message about how the most normal family can be transformed into an animalistic state when tragedy and anger invade their lives; unfortunately, it is not worth watching this sadistic display of cruelty to get this message.  If you insist on watching this, under no circumstances should you watch the director's cut.  I don't know what would've been omitted had I watched the theatrical version, but I regret my decision profusely.  This isn't that movie that is so scary that it is cool - it is a tribute to the disturbed people in our society that make this world a corrupt place.

Drag Me to Hell - 7 stars out of 10

Drag Me to Hell - 7 stars out of 10

"Drag Me to Hell" is a scary, intense, disgusting movie... and that's why you'll love it!  Though the supernatural aspect of this movie is a bit far-fetched, the movie has a high entertainment value.  The combination of gross (and sometimes comic) gore and jump scenes make this a unique scary movie experience.  Sam Raimi has definitely crafted a scary movie experience that isn't like most others.  Alison Lohman is cute as a "button!"  The audience easily identifies with her character because she does not do anything wrong, but is cursed anyway.  The overall acting is good, the seance and graveyard scenes are extremely intense, and I'll just leave you to be amazed by the twist at the end.  Not my favorite scary movie, but I'd certainly see it again.

From Dusk Till Dawn - 5 stars out of 10

From Dusk Till Dawn - 5 stars out of 10

I'm still trying to figure out if this was a drama, a horror film, or a comedy.  Blood, swearing, sexuality, and vampires all combine to form this ironic horror film that unexpectedly takes place in two different worlds.  "From Dusk Till Dawn" gets bonus points for successfully luring you into a comfortable feeling of expectation - you will think that you have the entire hostage plot figured out when suddenly 2/3 of the way through the movie... VAMPIRES!!!  Quentin Tarantino's screenplay certainly takes you in some unexpected directions.  The vampire make-up and special effects are cool, but I just can't get past the question of "Why are there vampires in this film?"  The movie features great performances by Harvey Keitel, George Clooney, Juliette Lewis, Salma Hayek (oh my goodness... wow), and Cheech Marin (in 3 different roles!)  Though the film is enjoyable to watch and the vampire killings are intense and awesome, I can't help but be left with a sense of "Eh..." in the end.

Phantasm - 7 stars out of 10

Phantasm - 7 stars out of 10

No fancy special effects necessary.  All that "Phantasm" requires to keep you on edge are quick cuts, hooded figures ducking around corners, and a creepy soundtrack as this mystery unfolds.  Don Coscarelli understood that you just have to put people into freaky settings (like a cemetery and a funeral home) and the intensity will develop itself... though the silver sphere sequence didn't hurt in adding to the horror.  It is amazing how effective Phantasm was on such a low budget, though it is obvious that the actors were paid on a low budget.  In the end, very little of "Phantasm" is explained (the silver sphere, how the creatures are created, the other world, the girl in the lavender dress).  Part of me wishes that every aspect of the mystery would have been explained, but the other part of me is glad that I'm left to figure things out for myself - I am just worried that I will never fully understand what the heck happened in the final 20 minutes.  You'll just have to watch for yourself to decide if you can be at peace with the (sort-of) resolution.

The Fourth Kind - 7 stars out of 10

The Fourth Kind - 7 stars out of 10

Wow, "The Fourth Kind" is definitely one of the FREAKIEST movies that I have ever seen!  My body was so tense throughout and I have little recollection of breathing during this movie.  The editor of this movie was a genius, combining documentary and thriller by blending the real footage with the reenactment and using split screens to tell the story of Abigail Tyler.  Milla Jovovich's prologue perfectly sets the mood for this story while her postlude creates an amazing ending.  The plot evolution from a few coincidental sightings of a white owl to alien abduction helps the viewer to believe this story from the start and avoid skepticism later on.  The quiet moments between archival footage create a great deal of suspense and will keep you on the edge of your seat... until the next hypnosis session, which will shake your body in fear with blood-curdling screams and demonic voices.  I definitely prefer this film to the "Paranormal Activity" series.  The things that you will see in this movie are very disturbing and should be avoided if you do not like to be freaked out.

The Amityville Horror (1979) - 7 stars out of 10

The Amityville Horror (1979) - 7 stars out of 10 

Although the original "Amityville Horror" cannot compare to the remake in intensity and storyline, this is still a great scary movie.  It is amazing to watch James Brolin's transformation from mild-mannered to maniacal mad-man and the plot continues to gain momentum from start to finish.  The unfortunate thing about this movie is that, at the pinnacle of intensity, the movie just comes to a screeching halt, leaving your heart pounding and wondering why more did not happen.  Additionally, there's a lack of explanation behind Katchem and why the house is driving Brolin crazy, as well as no explanation of what lies beyond the wall.  It makes me feel that the writers knew how to introduce this creepy plot but didn't know how to tie the loose ends and left it to the "let the audience create their own interpretation" technique, which just doesn't work for this movie.  I think that you'll find that the interpretation of the remake better explains these things and just makes for a better storyline.  Even though this film fails to give us the answers that we are itching for, the original "Amityville Horror" will keep you on the edge of your seat.